A variety of user created mappings for Automap control of plug-in instruments and FX:
LA2A, 1176LN, Space Echo, Plate 140, EMT 250, Helios 69 and many more!
Guru 1.6 Remote Zero SL.Hope u like it))
This has both coarse (on a fader) and fine (on an encoder) control of depth.
just 3 pages for basic controls:
1 - easy morph, Arp, FX on/off
2+3 - FX
This is a straight forward Nocturn map for the Bass Station plugin, assigning most parameters from left to right as you see the plugin. Pay attention to the buttons as well, some are redundant, but might work better than knobs in certain situations. It is divided into 5 pages, with the last being the setup page, in case you want to tweak expressive control from your keyboard controller.
Complete mapping of the LennarDigital Sylenth1 synthesizer. Including the effects section and arpeggiator. Made for the ReMOTE ZeRO SL MK1.
this is a selfmade mapping that suits my needs when dj´ing with traktor SCRATCH pro (not traktor pro).
hope it works for u.
I mapped the most important parameters of this synth across various pages.
Automap for FabFilter Pro-Q VST/RTAS plug-in.
Redline Equalizer Automap made with Cubase and a Novation SL MKI.
72 Ch. mixermap for Cubase or Nuendo.
All 72 ch. have separete potis for vol, pan and send. All 72 ch. have separete button for solo, mute and record.
Hope your work will be faster...
greetz Jay Hyme
iPhone Cubase Short cuts
An in depth sound design based template for Linplugs Alpha 3
This is my setup for controlling Stylus RMX from a Zero SL MkII.
The setup is created using enable host automation, and uses all 256 available host learns in Stylus RMX. It would be possible to create a more extensive setup using MIDI, but that would mean having MIDI routed to Stylus all the time, which is a pain in logic (unless you get down and dirty with the Environment). So this is an attempt to provide the best controls in a logical manner for everyday and performance use.
There are two files; a ctl_rmx file, which is a template you can load into Stylus (MIDI Learn > Load Template), and the other is the automap file. Make sure that 'MIDI Learn > Ignore Assignments When Loading Multi' is ticked, so that when you load a multi it doesn't clear the template. (For some reason when you load a template into Stylus it appears to clear all the sounds, but a reload of the multi and everything is fine'
Page 1 - Mix control: Level, Pan, Aux1, Mute, Solo and Play for each part
Pages 2-9 - Part Controls - each page contains:
For a single part:
Depth and Rate for Amp, Filter and Pan LFOs
Attack, Release and Depth for Amp and Filter Envs
Cutoff, Resonance, Width, Gain, Filter Type and 24dB
Pitch, Emph, Tone, Sample Start, Reverse
Half and Double controls from Time
Momentary Play, Unmute and Solo buttons
Tone control also from Crossfade slider and Exp. Pedal
For all 8 parts:
Mute, Solo, Play Buttons
Aux1 Reverb Controls:
Room Size, Time, Density, Low Tone, High Tone, Freeze
For all 8 parts:
Level, Aux1 send, Momentary Mute, Momentary Solo, Momentary Play
All play footswitch, global level
If you want to use this as a starting point for your own setup, you can use 'Unlearn Control' in Stylus RMX, followed by 'Enable host automation' to reassign the slot. You can view the full Control Assignments by clicking View > Controls (top left). Then Save your modified template.
I hope someone finds this useful :)
Basic Logic Channel Strip EQ mapping. Uses the two faders to control the frequencies/gain of each node, and buttons to switch each node in/out.
The first page gives control over the Hi and Lo cuts. Subsequent pages give access to the other nodes in turn i.e. Low Shelf, the four middle eq bands and finally the Hi Shelf.
Common performance variables mapped to knobs. More static variables to pots.
We Came To Kill - Studio layout by Dusty of WCTK.
Top Knobs - Generator editing & Subtractive Synthesis
Bottom Knobs - Sound Modulation Control
First 4 Faders - Amp ADSR
Second 4 Faders - Filter ADSR
X/Y Pad - Cutoff & Mix
The Bass Station gets much more interesting when you ignore the presets and really tweak it.
Made for Nocturn users.
Page 1 - EQ Gain and Frequencies Low to Hi, Left to Right
Page 2 - Lo/Hi Pass Filters(2x) and Mid Band Qs
Page 3 - Dynamics
All Pages - Fader controls gain
All documented cc parameters of the monster mapped in a logical order from OSC to LFO to Filter, Envelopes to the Mixer. You can easy navigate through the pages, they're all named and you now always where you are. have fun
Ratshack Reverb 2
ZeRO MkII MAP FOR MASSIVE
Page 1: Main Parameter (Makro/Filter)
Page 2: Effects and OSC
Page 3: Modulators 5-8
Page 4-7: Envelopes
Page 8: OSC
This is a mapping for Omnisphere I have created.
It has 2 files inside.
1. Omnisphere.automap, and
1. Load the Omnisphere.automap through automap and then select it to be the default control map for the client (you can do that through the file menu).
2. Copy the Omnisphere.midiLrn file to either :
HD/Library/Application Support/Spectrasonics/STEAM/Omnisphere/Settings Library/Presets/MIDI Learn/
User/Library/Application Support/Spectrasonics/STEAM/Omnisphere/Settings Library/Presets/MIDI Learn/
(This depends on wherever you installed your Omnisphere library).
Now the most important part (also the most irritating) is to load Omnisphere.midiLrn file in every instance of omnisphere in every project that you might work on.
There are five pages of mappings. I've tried to divide the sections to diff pages:
1st is for the Multi page in omni.
2nd for Filter
3rd for Oscillator
4th for LFOs (only first 4)
5th for Envelopes
There are a few random mappings:
like Arp On/Off is on page 3 and Layer A and B levels are on page 2.
So do check it out fully to know of other random maps.
Ive only added mappings of Aux 1 for each of the 8 multis. Would request you to add the rest yourself.
Its very easy.
First select the crosshair at the bottom of the omni (next to the Red A) so that it becomes red and you are in Automate Once mode on the automap window.
Next right-click on the knob or slider on omnisphere that u want to map and select 'Enable Host Automation'.
Next move the knob or slider on omni.
finally move the knob or slider on the SL that u want to map it to.
Now u have to move the knob or slider on SL fully in both directions till you see the corresponding knob or slider move in omni.
That should do it.
Mail me if you're finding this too confusing and ill try and help you out.
my email is email@example.com
Have fun with this kick ass plugin and your novation.
Made with Novation SL MK I / Cubase 5 / VST3 demo version
Its a great Eq and its fun to get some analogue feel back with the novation controllers :)
Use Nocturn to control mixer, devices, scenes, clips, master, tempo, etc. It includes python scripts that communicate with Live 8. You don't need to map manually any parameter. Under GPL license. Revision 1 that fix a bug with banks of less of 8 parameters. See also: https://forum.ableton.com/viewtopic.php?f=1&t=122831
The simplest on-board delay.
Instant mappings for Ableton Live devices, especially useful with racked devices and the 8 macro knobs.
Read the instructions in the readme. More info here: http://forum.ableton.com/viewtopic.php?f=1&t=92935&start=0&hilit=nocturn...
I used the vst version wrapped as audio unit with vstau.
Just a simple 1 page mapping. Nitro main edit parameters matched to Nocturn layout, mix control on X fader
Nocturn Automap Mapping for KORG Legacy Mono/Poly (Audio Unit and VST). Version 0.1.
This is a Nocturn map of the Novation Bass Station, with the first 2 pages based off of the Remote 25 LE MIDI template. I posted another one that might be more straight forward, but decided to post both anyways. I just happen to have a Remote 25 LE, so I thought it might be useful to those already used to working with it.
Single page mapping for the PSP Xenon limiter. Made for the ReMOTE ZeRO SL MK1.
Template for Sylenth1 section by section for easy navigation.
Made using version 2.0.2